1.1 What kind of sounds come from God's Secret Shabad - 'Anhad Bani' or 'Sahaj Dhun'
'Anhad Bani' or 'Sahaj Dhun' or 'Sound Current' or 'Music at Tenth Door' (in human being) or 'Music at Agya Chakra' is the 'Sound Vibration' which is vibrating 24x7 non stop. This is supporting the whole of universe than we can see and also which we cannot see. This is the sound through which God extended himself and created the universe, thus manifested himself in his creation by the means of this sound vibration. This is the Creators Tool for bringing in existence from VOID.
This very 'Sound Crrent' - 'Shabad' is the ENTRY & EXIT DOOR for living being to be created as INDIVIDUAL SOUL (say assume as a drop of water) & to merge back in God (say assume an ocean). Without reaching this sound current what may we do in our lives nothing can take us back to God - our Source of Existence.
God in His grace and mercy reveals His this secret Sabad-the
insignia of His existence- (Anhad Bani or Sahaj Dhun) to some blessed soul. The medium of REVEALING is FIXED and that is through GURU - TEACHER - PROPHET - MESSENGER and the appointment of the Guru is also by God himself. We human beings cannot choose from available famous ones which we see on television or DVDs. The
(God appointed) Guru gives his gurmantra and through only practising mediation of this Gurmantra the secret Anhad Sabad is
revealed to the seeker.
KAR
KAR TAAL PAKHAAVAJ NAINAH MAATHAI
WAJHA RABAABAA
KARNAH
MADHU BAASUREE BAAJAI JIHVAA DHUN AAGAAJAA ||
NIRAT
KARE KAR MANOOAA NAACHAI AANE GHOOGHAR SAAJAA ||
RAAM
KO NIRITKAAREE ||
PEKHAI
PEKHANHAAR DA-I-AALAA JETAA SAAJ SEEGAAREE || (RAHAO)
(Raamkalee Mahalaa- 5 Page 884)
These sounds resemble the tones and tunes of a flute, gong,
conch shell, horn, tinkling bells, trumpet, rebeck, singing cicadas in the
silence of the night, and a falling bronze vessel. Other than these five, many
more melodies manifest. On the opening of the sixth chakra, the Sabad enters
the Gagan (the Tenth Sky) This continuously reverberating melody at the Tenth
Sky is called Sahaj Dhun or Anhad sabad The combined symphony of these sounds
is called Anhad Bani. When these melodies are very loud and fast they are
called Taar Ghor Bajaantar (The grand orchestra of divine music).
1.2 Gurbani tells us where exactly this sound current is vibrating in our sukhsham shareer:
II Naou darvaaje kaaiaa kotu hai dasavai gupat rakheejai.
Bajjar kapaat n khulanee gur Shbadi khuleejai.
Anhad vaaje Dhuni vajade gur
shabadi suneejai.
Tit ghat antar chaananaa kari bhagti mileejai.
Sabh mahi ek
vartadaa jin aape rachan rachaaee ||15||(sggs 954):
The fortress of the body has nine gates; the tenth gate is
kept hidden. The rigid door is not open; only through the Shabad can it be
opened. The Anhad Dhuni or the unstruck sound current resounds and vibrates
there. It is heard by the Shabad. Deep within the nucleus of the heart, the
Divine Light shines forth. Through Bhagti, one meets the Lord. The One Lord is
pervading and permeating all; he Himself created the creation ||15|| (sggs
954).
1.3 Gurbani tells exact location of this 'Hidden Tenth Door' in our sukhsham shareer:
The Sukhmana Naadi located in the centre of the spine travels upward making six circles (charkas). These six charkas are called khat charkas or shae ghar (six plexus or centers). Sound current of the vital air reverberating through them produces different sounds.
All these
melodies reverberate at the Tenth Door above the confluence of Ida, Pinglaa, Sukhmana and are called the
divine music in the house of Sukhmana “Sukhman De Ghar Raag”.
The confluence of three energy channels - nadis of our sukhsham shareer which carry vital paon - vital air, namely Ida, Pinglaa,
Sukhmana is called Piraag (holy place of pilgrimage). This confluence is also called Sunn
or Teerath etc. in Gurbani. When Naam (Anhad Sabad) manifests at
this confluence, it is called Amritsar (pool of ambrosia).
Gurbani says:
'khat mat dayhee man
bairaagee'
Above the six chakras of
the body dwells the detached mind.
SALOK
MAHALAA –1
GHAR
MAH GHAR DEKHAA-E DE-E SO SATGURU PURKH SUJAAN
PANCH
SABAD DHUNIKAAR DHUN TAH BAAJAI SABAD NEESAAN ||
DEEP
LO-A PAATAAL TAH KHAND MANDAL HAIRAAN
TAAR
GHOR BAAJINTAR TAH SAACH TAKHAT SULTAAN ||
SUKHMAN KAI GHAR RAAG SUN, SUN-N MANDAL
LIV LAA-E
AKATH
KATHAA BEECHAAREEAI MANSAA MANAH SAMAA-E ||
ULTE KAMAL AMRIT BHARIAA IH MAN KATAH
NA JAA-E
AJPAPAA JAAP NA WEESARAI AAD JUGAAD
SAMAA-E ||
SABH
SAKHEEAA PANCHE MILE GURMUKHE NIJGHAR WAAS
SABAD KHOJ IH GHAR LAHAI NAANAK TAA KAA
DAAS ||
(Salok
Mahalaa-1 Page 1291)
BENEE SANGAM TAH PIRAAG MAN MAJAN KARE TITHAAEE ||..............
MASTAK PADAM DUAALAI MANEE ||
MAAHE NIRANJAN TRIBHAVAN DHANEE ||
PANCH SABAD NIRMAA-IL BAJE ||
DHULKE CHAVAR SANKH GHAN GAAJE ||
(Raamkalee Baani Benee Jeo Kee 974)
KAR KAR TAAL PAKHAAVAJ NAINAH MAATHAI WAJHA RABAABAA
(Raamkalee Mahalaa- 5 Page 884)
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